For my blog 2 assignment, I have focused on New York’s Museum of Modern Art (MoMA) and some of the globally themed art housed there, so all of the following works are owned by MoMA.
The works access global art in different ways – some by theme (eg war), and others by their methods of delivery (postcards, satellite transmissions). The common factor seems to be that generally the subject matter is pretty grim. I’ve been trying to think of happy global art subjects, I guess love would count but doesn’t sound very inspiring for artwork. Are artists as bad as media reporters? Or is human nature to blame. Who knows. Here goes.
Klaus Staeck (German, b 1938)

For Wider Streets Vote Conservative (1974)
Staeck, a German graphic designer, was the pre-eminent practioner of polictical montage in Europe in the 1960′s. His austere artwork includes postcards, stickers and flyers. The postcards he mounted as exhibitions of ‘mail art.’ His main themes remained constant, they were freedom of speech, peace, the environment, poverty and a constant struggle against political hypocrisy. ”Art is always a risk and in the form of a card it is also highly mobile,” he said.
Nam June Paik (American, b Korea, 1932-2006)

Good Morning Mr Orwell, 1984
Still from a film, 38 min
Influenced by George Orwell’s 1949 novel, 1984, in which television is an instrument of control in a totalitarian state run by ‘Big Brother,’ Paik fashioned an avant-garde variety show featuring dance, music and performance linked via satellite in a global television broadcast on January 1, 1984.
Hosted in New York and connected during the broadcast to production facilities in San Francisco and Paris, Paik called this international gathering of pop culture performers and performances a ‘global disco.’ The live broadcast reached more than 25 million viewers, demonstrating the genuine potential of global satellite communication. It’s conflation of entertainment, politics and technology reflects the nature of Paik’s art practice.
Alfredo Jaar (Chilean, b 1956)

Rwanda, Rwanda 1994
In August 1994, Jaar travelled to Rwanda where he witnessed the horrific aftermath of one of the most violent ethnic conflicts of recent history. Sensing an urgent need for action, he initiated his epic Rwanda project upon his return home, and it took many forms over the following six years.
This photolithograph is one of the earlier manifestations. He mounted 400 of these on backlit displays in public locations throughout the city of Malmo, Sweden. For 20 years, Jaar has explored thorny social, political and humanitarian issues. He brings viewers to a contemplation of some of humanity’s most appalling moments.
Romuald Karmakar (French, b 1965)

The Himmler Project (Das Himmler-Projekt) 2000
video
Karmakar is one of Germany’s most provocative film makers. His works oblige international audiences to confront the horror of modern history and to try to understand what made, and continues to make, hatred attractive and murderous.
In 1943, Nazi General Himmler delivered a three and a half hour speech which was recorded. In it he speaks openly about racial purity and refers to the elimination of the Jewish population. Karamakar asked actor Manfred Zapatka to read the entire speech as transcribed, complete with Himmler’s mistakes in grammar, syntax and pronounciation. Simple but bloodfreezing.
Paul Chan (b Hong Kong, 1973)

My birds….trash….the future 2004
Installation: two channel video projection 17 min
Set in an apocalyptic landscape with a barren tree at its centre, the landscape evokes a moral vacuum brought on by the horrors of war. Includes digital likenesses of naked paparazzi and suicide bombers, among others. The narrative unfolds against a soundtrack of ringing cellphones and car alarms that evokes the dissonant timbre of a cataclysm. Black smoke rising in the east in some scenes references burning oil fields in the Middle East, and others reference mis-treated detainees at Abu Ghraib prison. He conveys an urgent message about the folly of violence and war.





















I like the way that although I have removed all the line of the original photograph, the form of the building remains in the coloured blocks from the art deco forms. I used a black filtered effect and a stamp. I like the way the stamp looks like rain on a lens, and the idea of windows glowing on a rainy night.